![]() “I was overjoyed,” he said.When I was a young boy I was workin' for the state I wasn't makin' much money I was stayin' out late I'd go down at nighttime and Play music in the bars Take my breaks out Underneath the stars I was makin' some noise I was a working boy Up at the top of my voice sayin', "Look at me mama, I'm makin' some noise" I had to rock the boat, I had to shake the tree To see what'd fall down on me I thought, "Maybe I can make it If I never give in I been down before, I ain't goin' down again." I'm makin' some noise I've been a worried boy Up at the top of my voice sayin', "Look at me mama, I'm making some noise" From across the canyon A guitar plays Through an amplifier on long delay It was an old melody, I recognized the song I had an amplifier too, so I played along I'm makin' some noise, I'm still a working boy At the top of my voice sayin', "Look at me mama, I'm makin' some noise." I'm makin' some noise, I been a long gone boy At the top of my voice sayin', "Look at me mama, I'm makin' some noise. Written by Fogerty in Albany, New York on a Washburn Falcon guitar, the song was initially called “Somewhere Down the Road,” one of many working titles the artist had scribbled in his notebook.Įven the song’s video directed by Mick Haggerty, who worked on many Hall & Oates videos at the time, brought more Fogerty to a newer generation on MTV, and attention to the lyrics with its imagery of an electrical cord plugged into an amp, making its way to a limousine, a swamp, and other spaces before reaching its final destination, Fogerty’s guitar.ĭriving from El Cerrito to Berkeley, when Fogerty heard “The Old Man Down the Road” on the radio for the first time, he felt some vindication. The case went to a jury and was eventually dismissed in Fogerty’s favor, though ongoing appeals kept the case open until 1993. According to the author, when she was young. The term was coined in a November 1954 Harper’s Bazaar piece, where the author, Sylvia Wright, recalled a childhood mishearing. The word mondegreen is defined as a misheard word or phrase that makes sense in your head, but is, in fact, incorrect. This bizarre lawsuit marked the first time an artist was sued for plagiarizing themselves. Lyrics to 50 famously misunderstood songs, explained. “Anyway, Stu played some of the cuts from my new album and he said, ‘John is ripping off Creedence. “Apparently, the bass player of my old band went down to Fantasy Records with a copy of my new album ‘Centerfield’ and played Saul Zaentz a few of the cuts,” said Fogerty. Heartbeat Amplifier Gathering, Heartbeat Amplifier, Heartbeat Amplifier, Heartbeat Amplifier, Heartbeat Amplifier Gathering, Heartbeat. “I couldn’t sing ‘Proud Mary’ in front of people and try to feel as happy as that song is.”Īt one point, Zaentz even sued Fogerty for $140 million, claiming “The Old Man Down The Road” sounded too similar to the 1970 Creedence song “Run Through The Jungle.” “I’m too honest,” said Fogerty in an interview. Greed” were also seen as directed toward Saul Zaentz, who now owned the publishing rights to the Creedence Clearwater Revival songs. Feeling broken by the music industry and not recording for nearly a decade, Fogerty even refused to play many of his CCR tracks on his 1986 tour. He got a suitcase covered with rattlesnake hideĪdditional tracks “Zanz Kant Danz” and “Mr. He bring a strong man to his begging knee ![]() “It tells the story about a man standing in your way with a suitcase covered in rattlesnake hide, eyes as black as coal,” said Fogerty of the meaning of the song lyrics. Released in 1985, Centerfield chipped away at the underlying tensions with the single “The Old Man Down the Road,” depicting in its lyrics the uglier ends of the music industry that Fogerty was experiencing firsthand. Embroiled in legal battles over an earlier contract, which forced him to relinquish the rights to his Creedence Clearwater Revival songs and keep recording new music, John Fogerty was stuck in a darker place for more than a decade after the band parted ways in 1972, and released some of the built-up frustrations on his third solo album Centerfield. ![]()
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